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[ We repost this piece by Eric Schultz, which originally appeared on November 19, 2013. ] Eric B. Schultz Not long ago, a friend sent me a video which featured a new holiday character, “Pumpkin-Headed Turkey Claus,” with a note saying how appalled he was with the way retailers had hijacked the holidays. I’m pretty jaded myself by holiday retailers. But even I’ve winced a few times this fall.  There was the Christmas wrapping-paper sale I stumbled upon in mid-October, for example, and the recent news that many large retailers would be opening their doors at 8 or 9 p.m. on Thanksgiving evening.  (Who’s going to eat cold turkey sandwiches with me?)  Now, I’d been introduced to the Pumpkin-Headed Turkey Claus offering proof positive that Halloween, Thanksgiving, and Christmas had finally been smashed together into the twisted wreckage of one long retail extravaganza. Remember the time when Christmas was simple and less commercial, when you could step out of your door into a C...

Nicole White “What is the most decadent thing anybody could ever do? Get all dressed up, do their make up, and stay at home.” -Marc Jacobs Jazz music, speakeasies, flappers, and the mob were all part of Kansas City in the 1920s, but the Paris of the Plains was also swarming with creativity and innovation. In the early twenties, Walt Disney started an animation company called Laugh-O-gram Films on E. 31st Street in Kansas City where he created black and white animated short films based on classic fairytales. He befriended a small mouse in the building, which was said to have inspired his creation of Mickey Mouse. Later that decade, Ernest Hemingway, who had previously worked for the Kansas City Star , drove his wife back to the city for the birth of their second child while, at the same time, he was putting the finishing touches on one of his greatest masterpieces, A Farewell to Arms. And just around the corner, dressmaker Nell Donnelly Reed was making her mark in history. Nell, born in...

Chris Beneke In a famous photograph of baseball star Jackie Robinson and Brooklyn Dodgers General Manager Branch Rickey, the African American legend prepares to sign his 1948 contract. As he does so, the viewer of this staged scene can make out a small photo hung above Rickey’s head at top right. From that modest rectangular frame, a young, beardless Abraham Lincoln gazes upon the scene.* Three years earlier, Robinson met Rickey under that same gaze and the two men discussed, among many other things, their shared Christian devotion. During this tense  and seemingly interminable meeting that would lead to the end of baseball’s longstanding prohibition on black players, Rickey had Robinson read a line from Giovanni Papini’s Life of Christ : “But whosoever shall smite thee on thy right cheek, turn to him the other also.” Robinson agreed to turn the other cheek and in April 1947, he joined the Dodgers as the first African American major leaguer in more than half a century...

Randall Stephens For about the last five years the historian Alex von Tunzelmann has composed short pieces at the Guardian on history films .  "Reel History," so reads the description, focuses on "classics of big screen history and prises fact from fiction ." D oes the plot square with historical realit ies ?  What about the acting? The costumes ? Do anachronisms abound ?  Here's a bit from her recent piece on Northwest Passage (1940) . Writes Tunzelmann: The search for a northwest passage from the Atlantic to the Pacific has little to do with what's going on in this film. At the end, Rogers announces his intention to find one. This was supposed to be the sequel, and indeed its own title card announces it as Northwest Passage (Book I - Rogers' Rangers). Though it was a hit with audiences, it had cost too much to make. MGM canned Book II – and, just as in real life, no northwest passage was ever found. Verdic t: It's an impressively rough and to...