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Eric Schultz I was fortunate in early July to attend three days of the 150th commemoration of the Battle of Gettysburg, including a number of events sponsored by the Gettysburg Foundation . It was busy, colorful, sometimes somber but always tropical, a good reminder of what conditions were like in July 1863.  The battlefield itself, nearly 6,000 acres and sometimes called the “symbolic center of American history,” is both inspiring and beautiful.  The 150th commemoration included a retelling of the battle and featured first-person accounts. Events included a spectacular retelling of the battle (focused on first-person accounts), and the grand opening of the Seminary Ridge Museum at which visitors could climb its historic cupola to get a bird’s eye view of the battlefield and town. As I attended various gatherings, however, it struck me that Gettysburg was nothing less than a kind of living laboratory for how people access history. For example, there were lots (and lots) of fo...

Chris Beneke In a famous photograph of baseball star Jackie Robinson and Brooklyn Dodgers General Manager Branch Rickey, the African American legend prepares to sign his 1948 contract. As he does so, the viewer of this staged scene can make out a small photo hung above Rickey’s head at top right. From that modest rectangular frame, a young, beardless Abraham Lincoln gazes upon the scene.* Three years earlier, Robinson met Rickey under that same gaze and the two men discussed, among many other things, their shared Christian devotion. During this tense  and seemingly interminable meeting that would lead to the end of baseball’s longstanding prohibition on black players, Rickey had Robinson read a line from Giovanni Papini’s Life of Christ : “But whosoever shall smite thee on thy right cheek, turn to him the other also.” Robinson agreed to turn the other cheek and in April 1947, he joined the Dodgers as the first African American major leaguer in more than half a century...

Elizabeth Lewis Pardoe On my first day as a brand new assistant professor a student came up to me, introduced himself, and announced, “I am a visual learner.” The class was a reading and writing intensive freshman seminar with a predetermined syllabus. I knew we had a problem, but I had limited agency to remedy the situation.  This year I decided to see if I could match my long-since graduated student’s need for visual stimulus with my own desire to make students delve deep into the documents that reveal the mental landscape of the past. I integrated video presentations into the middle portion of each three-hour seminar. The visual interlude fixed one pedagogical problem and revealed another. Although academic historians of colonial America know that all the world was not New England, word has yet to reach the filmmakers. Three Sovereigns for Sarah captures Salem’s witchcraft crisis and Mary Silliman’s War strips the romantic Revolutionary myths away from a tense civil war in Con...

Randall Stephens For about the last five years the historian Alex von Tunzelmann has composed short pieces at the Guardian on history films .  "Reel History," so reads the description, focuses on "classics of big screen history and prises fact from fiction ." D oes the plot square with historical realit ies ?  What about the acting? The costumes ? Do anachronisms abound ?  Here's a bit from her recent piece on Northwest Passage (1940) . Writes Tunzelmann: The search for a northwest passage from the Atlantic to the Pacific has little to do with what's going on in this film. At the end, Rogers announces his intention to find one. This was supposed to be the sequel, and indeed its own title card announces it as Northwest Passage (Book I - Rogers' Rangers). Though it was a hit with audiences, it had cost too much to make. MGM canned Book II – and, just as in real life, no northwest passage was ever found. Verdic t: It's an impressively rough and to...