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Randall Stephens Excuse a little promotional material. Here's the lineup for our American Studies research seminar here in Newcastle Upon Tyne for the first semester, 2013.  The new American Studies program is up and running with our first cohort of undergrads.

Randall Stephens The November 24, 1954 episode of Longines Chronoscope featured Henry Steele Commager (video embedded here).  That was not unusual for the news and views program , which regularly featured heads of state, intellectuals, novelists, and other notables.  But the subject of the discussion is particularly interesting all these years later.  Maybe that's especially poignant because Commager was one of America's foremost historians at that time. Here he weighs in on American identity, the pressures of conformity, the post-war economic boom, and freedom of expression.   This was filmed in the wake of the Korean War, the hydrogen bomb test on Bikini Atoll, and not long after the historic Brown vs. Topeka Supreme Court decision.  Red Scare paranoia remained strong. The coming month of December would see the US Senate reprimand Joseph McCarthy, by a vote of 67–22, for "conduct that tends to bring the Senate into dishonor and disrepute." Here are some...

Ca. 1863. Courtesy of the Library of Congress. Terry Eagleton, "No Self-Mockery, Please, We're American," Chronicle of Higher Ed , July 1, 2013 Can one even speak of Americans and Europeans in this grandly generalizing way? Is this not the sin of stereotyping, which all high-minded liberals have learned to abhor? Nobody falls into a general category. Everyone is his or her own elite. As a character in one of James's novels proudly puts it, In The American Scene, [Henry] James writes of the country's disastrous disregard for appearances. For the Calvinist, a delight in anything for its own sake is sinful. Pleasure must be instrumental to some more worthy goal, such as procreation, rather as play on children's television in America must be tied to some grimly didactic purpose. It can rarely be an end in itself. The fact that there is no social reality without its admixture of artifice, that truth works in terms of masks and conventions, is fatally overlooked. ...