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Craig Gallagher In anticipation of going to my first American Historical Association conference this past weekend in Washington D.C., I sought out a range of senior colleagues who had attended past AHA meetings for advice on what to expect. As a third-year Ph.D. candidate who is about to start writing a dissertation, I was regularly advised that many aspects of the AHA meeting did not yet apply to me, such as the Job Center , where interviews for academic positions are conducted, or the Book Exhibit where publishers meet with scholars and teachers to discuss manuscripts or books for use in the classroom. My first AHA, therefore, was largely confined to the scholarly panels (and, I should add as a brief aside, various receptions, where I shamelessly handed out business cards and tried to score five minutes of chat with some of my favorite scholars. I was mostly successful). I attended six different panels over the four days, enjoying some immensely and others not-so-much. On the whole...

The Carolina Lowcountry and Atlantic World Program (CLAW) at the College of Charleston in Charleston, South Carolina invites paper proposals addressing the transnational and transcultural impacts of music throughout the Atlantic World for a conference to be held March 7-9, 2014.  We are especially interested in twentieth and twenty-first century music and cultural exchange, but the conference is open to any work that examines the movement of music in the Atlantic World from the 1600s to the present. We welcome a broad range of submissions, but especially encourage submissions that utilize an interdisciplinary approach.  Proposals may address any area of music in the Atlantic World. We invite scholars to submit proposals for individual papers and panels that address such questions as: * Tradition and modernity in popular and indigenous music in Latin America, the Caribbean and West Africa * Music, Race, and Empire * Jazz in a global context * Trans-Caribbean identities in Salsa...